Everything We Never Chose to Choose
On the strange freedom of choosing within systems that have already decided what's worth wanting.
@aaronretamero · Aug 3, 2026
11 min read · 3 views
It's two in the morning.
In front of me there are more options than I could consume in several lifetimes.
Thousands of movies.
Millions of songs.
People from anywhere in the world.
Clothes in every style.
Opinions about anything.
Jobs that didn't exist twenty years ago.
Tools capable of turning almost any idea into something real.
I can choose what to watch, what to listen to, what to buy, what to learn, who to talk to, and which version of myself to show tomorrow.
In theory, we've never been this free.
And yet something feels off.
The more options appear before us, the more similar the lives we build with them begin to feel.
Different garments, but the same bodies trying to look desirable.
Different professions, but the same need to turn every hour into something useful.
Different opinions, but the identical urgency to voice them before we've finished thinking.
Different identities, carefully personalized within the same platforms.
We have thousands of paths.
Why do so many seem to lead to the same place?
This question has been bothering me for a while.
Maybe we confuse freedom with quantity.
We see many options and assume we're free because we can choose among them.
But no one arrives at a choice from nothing.
When we open an app, the options are already ordered.
When we enter a store, the objects have already been placed.
When we think about success, certain images have been waiting in our heads for years.
We don't know who put them there.
We only know how to recognize them.
A specific house.
A specific body.
A specific way of being admired.
A number.
A profession.
A relationship.
A life that, seen from the outside, looks like it's happening correctly.
We can choose how to get there.
We rarely ask why we've all learned to want to arrive at the same place.
Choosing from a menu doesn't mean you've decided the meal.
The sentence seems simple until you try to find something in your life that didn't already arrive accompanied by a menu.
You can choose what phone to buy.
You didn't choose to live in a society where not having one leaves you partially out.
You can choose your clothes.
You didn't choose all the things those clothes will communicate before you open your mouth.
You can choose what to study.
But the era has already decided which knowledge will have prestige, which will be profitable, and which you'll have to justify for the rest of your life.
You can even choose not to participate.
But even that decision will have a cost calculated by a system that existed before you arrived.
That doesn't mean all our decisions are false.
A choice still happens.
The problem lies a bit earlier.
In the place where what's available to choose from is manufactured.
Freedom starts to feel strange when you discover that someone prepared the room, placed the objects, adjusted the light, and decided which doors would be visible.
Then they let you in alone.
There were no orders.
No one had to push you.
You chose exactly what you wanted.
Only maybe you could never want what remained outside the room.
That's where the shape of control begins to change.
It no longer looks like a cop.
It looks like a recommendation.
It doesn't forbid.
It suggests.
It doesn't compel.
It arranges possibilities.
It doesn't tell you who you must be.
It shows you, thousands of times, which versions of a person receive attention, money, desire, and recognition.
Then it waits.
The mind learns fast.
It learns what to hide.
What to show.
What a life that deserves admiration looks like.
What kinds of failure can be turned into inspiring stories and which must disappear in silence.
No one needs to hand us a manual.
Rewards do the work.
A number rises.
A post performs well.
An image gets attention.
A way of speaking provokes reaction.
And something inside starts taking notes.
Next time we tweak our behavior a bit.
Then a bit more.
At first it feels like adaptation.
Later we call it personality.
I don't remember the exact moment when many of us began looking at ourselves from the outside.
Maybe it happened slowly.
A photograph that wasn't liked.
A video that worked too well.
A comparison that seemed innocent.
The feeling that someone else was living a fuller version of life.
Until one day you no longer do something only because you want to do it.
You also watch how it will look while it happens.
The experience splits.
One part of you lives.
The other evaluates.
Is it worth showing?
Does it say something interesting about me?
Does it fit the person I'm trying to build?
Can it become proof that I'm making the most of my life?
We don't always need someone to watch us.
Sometimes we install the viewer inside.
And when that happens, even alone we keep performing.
The most sophisticated form of control isn't stopping you from doing something. It's getting you to never want to leave the options they've prepared for you.
That's far more efficient than a ban.
A ban produces resistance.
A desire feels intimate.
You can argue with an order.
It's much harder to argue with something that speaks in your own voice.
"I want to be more productive."
"I want to improve my body."
"I want to earn more."
"I want this to look good."
"I want to go further."
There's nothing necessarily wrong with any of those sentences.
The unsettling part comes when you ask what would happen if you follow them back to their origin.
Where did that desire start?
What does it promise to solve?
Which version of me does it think will appear when I achieve it?
And why does that version seem superior to the one I already am?
Most desires don't come with a label indicating their source.
They don't say:
This insecurity was manufactured.
This ambition was rewarded until it felt natural.
This need began as a comparison.
They simply appear inside.
And because they're inside, we assume they're ours.
Maybe they are.
But belonging to someone isn't the same as being born from them.
There are ideas that have lived in us so long they know our voice better than we do.
Sometimes the market doesn't sell a product.
It sells a crack first.
It shows you a slightly better version of your body.
A cleaner house.
A more intense life.
A more interesting person.
Someone who works more, travels more, earns more, feels more and seems to need less.
Comparison opens the space.
Then the solution appears.
We don't only buy an object.
For a few minutes we buy the possibility of stopping feeling insufficient.
Until the feeling returns.
It has to return.
A system based on resolving lack permanently would destroy itself.
It needs us to improve without ever fully arriving.
To move forward without feeling complete.
For every solution to reveal a new problem.
That's why it's so hard to know when we're building a life and when we're merely keeping a need alive.
They gave us infinite options so we'd never ask who designed the system.
Variety distracts.
We can spend hours deciding between almost identical products.
Customizing colors.
Shuffling components.
Choosing an aesthetic.
Feeling that every detail expresses our individuality.
Meanwhile, the important question remains intact.
Why do I need this?
Who wins when I feel I'm lacking?
What part of my identity depends on others recognizing the choice?
The system doesn't fear our differences too much.
It's learned to sell them.
It can turn rebellion into a collection.
Vulnerability into content.
Minimalism into products.
Digital detox into another digital campaign.
Even rejecting the system can become an identity perfectly marketable within it.
That part seems almost brilliant to me.
You can criticize the platform from the platform.
Turn critique into a post.
Measure its reach.
Wait for a reaction.
And feel bad if the system you just questioned decides not to show it to anyone.
You don't need to censor dissent when you can monetize it.
You don't need to erase difference when you can categorize it.
The system doesn't need us all to look the same.
It only needs all our ways of being different to keep passing through it.
And I'm not outside.
That would be the easy take.
Talking about algorithms, companies and advertising as if I observed the machine from some clean place.
I also build systems.
I design experiences.
I think about how a person will interpret a shape, a word, or a color.
I try to turn ideas into desirable objects.
I look at metrics.
I analyze reactions.
Sometimes I buy tools to have more freedom and end up using them to demand more production from myself.
A machine saves me an hour.
I don't recover that hour.
I fill it.
I automate a task and convert the freed space into capacity to sustain three more.
I build a structure to depend less on labor.
Then I work to maintain the structure.
There are days when I don't know if I'm creating freedom or designing a cage with better materials.
That changes the reflection.
Because I can no longer reduce it to an external system manipulating us.
The machine also works thanks to something very human.
Our fear of not mattering.
Of being left behind.
Of not making the most of life.
Of being replaceable.
Of discovering we could have been more and weren't.
The system didn't invent all those fears.
But it learned to speak to them.
It turned them into buttons.
And we keep pressing them thinking they're decisions.
The perfect cage doesn't limit your movements. It designs your desires.
A cage with bars is easy to recognize.
This one isn't.
You can move.
Travel.
Change profession.
Buy new things.
Erase your identity and build another.
You can run as much as you want.
In fact, running helps.
While you move, it's hard to tell if you're making progress or just circling the perimeter.
Maybe that's why we're so busy.
Not because everything we do is important.
But because stopping would leave space for a question we don't know how to answer.
If no one could see it, would I still want it?
I tried asking myself that question about concrete things.
Not as a philosophical exercise.
As a test.
If no one knew what I'd built, would I still want to build it?
If a garment couldn't bear my name, would I still obsess over every detail?
If there were no metrics, would I still consider the same work valuable?
If an experience couldn't be turned into a photograph, would I still feel it's worthwhile?
The answers aren't clean.
There are things that are.
Ideas I'd still need to get out of my head even if they vanished afterward.
Objects I want to see exist even if no one admires them.
Problems I'd solve for the mere pleasure of understanding them.
But there are also desires that weaken when I remove the viewer.
Goals that seemed important until I imagined no one could recognize them.
Ambitions that maybe didn't promise happiness.
They promised legibility.
The possibility that someone would look at my life and quickly understand it had value.
That makes me uncomfortable.
Because it means sometimes we don't want certain things for what they are.
We want them for the story they allow us to tell about ourselves.
We don't only buy objects.
We buy evidence.
We don't only chase experiences.
We chase proof.
Proof that we're moving forward.
That we chose well.
That we're different.
That we didn't waste our opportunities.
And a life devoted to producing proof can look full from the outside while feeling strangely empty inside.
Another question appeared there.
If I removed everything someone placed inside me, what would remain?
The most honest answer is probably nothing recognizable.
There isn't a pure version of me waiting under the influences.
I didn't choose the language I think in.
Nor the culture that shaped my ideas.
Nor the body from which I perceive the world.
Nor the era that decided which problems would be possible.
Even my way of rebelling belongs, in part, to what I rebel against.
Looking for a completely clean choice would be looking for a person who'd never been touched by anything.
That wouldn't be freedom.
It would be nonexistence.
So the problem can't be about eliminating all influence.
We can't completely leave the room.
Nor erase the menu.
Nor manufacture from scratch a mind that hasn't learned anything from others.
Maybe the question was wrong.
It's not about discovering which desires are exclusively ours.
It's about recognizing which remain meaningful after observing where they come from.
A desire may have been learned and still be true.
An influence doesn't automatically invalidate a decision.
The difference is being able to see it without having to obey it.
To feel a need without turning it immediately into action.
To notice an insecurity without buying the first solution.
To look at someone else's life without using it as proof against your own.
To receive an option without assuming it must be chosen.
There's a small moment between what the world proposes and what we do with it.
It almost never seems important.
A pause.
A discomfort.
A question that interrupts the impulse.
But maybe all the freedom we can recover lives there.
Not in choosing among more things.
In being able not to choose yet.
In enduring for a few seconds not knowing what we want.
The system works best when we react quickly.
When we buy before understanding the lack.
When we speak before finishing the thought.
When we define ourselves before knowing ourselves.
We turn every emptiness into consumption, noise, productivity, or image.
Stopping breaks something.
It doesn't destroy the machine.
But it prevents it from acting through us unseen.
Maybe freedom was never about escaping all conditioning.
Maybe it was about making what conditions us stop being invisible.
Seeing the room.
Noticing the light.
Recognizing who placed the doors.
Understanding why one looks attractive and another doesn't even look like a door.
And then choosing.
Not from a pure place.
There is none.
But from a slightly more conscious place.
That doesn't guarantee we'll make the right decision.
We might still choose exactly the same.
The difference is we won't be able to pretend the option appeared by itself.
We'll know which fear made it attractive.
Which reward it promises.
Which part of our identity it's trying to protect.
And what price we're willing to pay to keep it.
Most cages don't disappear when you recognize them.
But they stop looking like the whole world.
That may be enough to begin.
Because freedom doesn't always mean passing through a door.
Sometimes it starts much earlier.
In the exact moment when you look around and understand someone decided where to place it.
Maybe the first choice that's truly ours isn't which path to take.
Maybe it's daring to ask about all the paths we were never shown.
About the lives we never learned to desire.
About the possibilities left out of language.
About the questions the menu managed to keep occupied.
About everything we never rejected because we never knew it existed.
About everything we never chose.
And, above all,
about everything we never chose to choose.